the Orthodox Nativity Catheral of Riga, just after midday

There are two parts of Riga that are of interest to the casual visitor, or three, actually. The big two are Central Riga, with its long, straight streets lined with Art Nouveau buildings, and Old Riga, the old town with its cobbled, twisted and turning alleys, and chaotic mix of architectural styles.

facade of an expansively decorated Art Nouveau house

Although we intended to start in Old Riga, our hotel is actually outside the old town, in the diplomatic quarter, which also happens to be the main area for Art Nouveau buildings. And of course we cannot resist, so for the next few hours we wander the streets, with oohs and ahhs at each and every discovery of yet another fabulous building, quirky balcony, imposing door or ostentatious decoration. Especially the latter is a recurring factor, more than in Helsinki, or in earlier Art Nouveau encounters we had; the buildings have a multitude of stucco faces, or sculptures (I will put together an architectural porn collection), or other external decorations, that take the focus away from the modernist design style of the houses, the facades. I can tell you all about this, but the photos are probably a more efficient way to show – and otherwise there are lots of far more scholarly books you could check out. Point is, we are just enthusiastic amateurs. But boy, did we enjoy this part of Riga, dubbed the Art Nouveau capital of the world.  Oh, and like any town in this part of the world, the wooden houses are just in between the rest of the buildings; even in the Art Nouveau quarter, there are, admittedly upmarket, wooden houses to be found, too. More Riga Art Nouveau here.

this is the type I like most, with the art of design in the building itself, not the decorations

and this is the type of construction that appeals so much to me

another Art Nouveau facade, which stretches even beyond the top of the roof

top of the facade, incredible detail, mostly lost on those on the ground without a telelens

windows of the same building

stairs inside the Art Nouveau museum; the museum itself less interesting

this is the type of ostentatious decoration that comes with Riga Art Nouveau

some of the decoration is more subtle

in the middle of the Art Nouveau neighbourhood, once again a wooden house

and also nice, a wooden window

Of course, not all buildings are Art Nouveau, but some are equally impressive, in their own way.

this is not Art Nouveau, of course, but an equally impressive building

and I love balconies

did I say balconies?

the House of the Blackheads, originally 14th Century, bombed during WWII, demolished by the Soviets, and meticulously rebuilt at the end of the 20th C

the liberty monument, remembering those who fell in 1918-1920, for independence

great sculpture, the memorial for the Latvian archers

Old Riga then. Established as a major city at the beginning of the 13th century, by one bishop Albert, who came with the Brothers of the Sword, it went on to become a major trading centre throughout the Middle Ages, no matter who controlled the territory. The city itself was largely controlled by the Baltic Germans, who dominated commerce – until 1939, when many of them were resettled in Germany and Poland as part of a Nazi repopulation initiative, and 1940, when the Molotov-Ribbentrop pact brought the then independent Baltic states under Soviet influence, which made the remaining Germans flee (and the ones who didn’t, subsequently disappeared into Soviet camps). After which the Germans returned in 1941 – but not the Baltic Germans – and were kicked out again by the Russians in 1944, the vagaries of WWII. All of this damaged not only the infrastructure of Riga, which got badly bombed during the war, but also the minds of the Latvians, some of whom fought initially with the Nazis against the occupying Russians, others subsequently against the occupying Nazis. (In all this it is actually easy to forget that the Liberty Monument, at the intersection between Central Riga and the Old Town, remembers those fallen during the fight in 1918-1920, for the establishment of the first independent Latvia.)

a square in the Old Town, all types of houses, terraces and a mural

another Old Town view

and one of the streets, with pastel-coloured houses

not the city gate, just a passage inside the Old Town

a door, part of an impressive brick building, the history museum of Riga

view over Riga, from the viewing platform of the Saint Peter’s church

from where you can also look into people’s living rooms!

behind the Dom is a courtyard loosely resembling a museum

and the organ, same Dom

the pupit inside the old Dom cathedral

All of this has left an Old Town with a huge variety of older and newer buildings, from the old Dom cathedral originally from 1211, but frequently added to since, and the gothic Saint Peter’s church, with its viewing platform – fabulous views! – at 72 meters above the town, to individual houses from all times. Some 16th century, 17th century, but also further Art Nouveau examples. I read somewhere that in each and every street of Riga’s Old Town you may find an unexpected surprise, and we did, in the form of a window, a statue, or just a sculpture of a young man reading a book, draped in a Ukrainian flag (support for Ukraine, in Riga but also earlier in Estonia and Finland is quite universal, and clearly expressed).

Next: more Riga.

the so called Three Brothers, 16th and 17th Century houses

one of the many church towers, I cannot remember which one this is

just a window, one of those surprises

the national opera and ballet theatre, but even more: a very elegant sculpture of Maris Liepa, a Latvian ballet dancer

support for Ukraine is widespread

a glass building, now restaurant, at the edge of the Old Town

Art Nouveau decoration

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