the Villa Romeo and Juliet, a wonderful guesthouse, top-notch

the Villa Romeo and Juliet, a wonderful guesthouse, top-notch

Not many people will visit Ploiesti, but if you do, make sure to stay in the Villa Romeo and Juliet. This 15-room guesthouse is a beautifully restored and refurbished old town house very close to the city centre, with its own off-street parking. The most attractive part, however, is the atmosphere, created by the Italian-Romanian couple that run the place, and their excellent staff. Just staying here is already reason enough to come to Ploiesti.

I think we paid something like 30-40 US$/night, for which we resided in a large, nicely decorated room with everything you need, and more. The hotel serves excellent breakfast, including home-baked cakes from the owner’s wife, it has a well-stocked bar, and is close to the centre where you’ll find a few restaurants.

the Budesti church in Maramures

the Budesti church in Maramures

More fabulous frescoes, as well as icons, in the Maramures church of Budesti

the steeple of the church

the steeple of the church

The Budesti church, dedicated to Saint Nicholas, is dating back to 1643. Frescoes inside are executed in ochre, red and white; several images are in icon form, painted on wood (or glass?) and framed, something we have not seen that much in other churches.

Once again, brilliant frescoes!

The other Maramures churches covered are those in Ieud, Poienile Izei, Botiza and Desesti.

the familar scene on the front wall

the familiar scene on the front wall

impressive wall fresco in the Budesti church

impressive wall fresco in the Budesti church

the same front wall, lower section

the same front wall, lower section

icon, decorated and draped with a cloth

icon, decorated and draped with a cloth

another icon

another icon

the devils are everywhere

the devils are everywhere

scene from hell

scene from hell

the crucifixion

the crucifixion

the Desesti wooden church in Maramures

the Desesti wooden church in Maramures

Desesti is another village with a spectacularly painted church, worthwhile your visit

and there is always a devil somewhere

and there is always a devil somewhere

The church in Desesti was built in 1770, and the frescoes were painted 10 years later, by a local master-painter. Apparently, much of the church was badly damaged in 1925 after lightning, but the frescos inside have survived – and the outside is perfectly restored, again. Here, too, the inside is painted top to bottom, quite special.

Desesti is perhaps easiest to visit, along the main road to Baie Mare, the region’s capital city.

The other Maramures churches covered are Ieud, Poienile Izei, Botiza and Budesti.

 

on of the walls completely covered with frescoes

on of the walls completely covered with frescoes

and another detail, familiar scene in every church

and another detail, familiar scene in every church

detail of the wall

detail of the wall

frescoes are executed in great detail

frescoes are executed in great detail

another fresco

another fresco

side wall, and painting continuing onto the ceiling

side wall, and painting continuing onto the ceiling

another image on the ceiling

another image on the ceiling, quite different from most

who even got dressed in the process

who even got dressed in the process

a familiar couple

a familiar couple

 

likely the local power brokers?

likely the local power brokers?

the church in Bozita

the church in Bozita

The village of Botiza also has a wooden church, possibly more authentic than some of the UNESCO-listed ones in Maramures

the church tower

the church tower

Botiza is first and foremost a pretty village, full of wooden houses and barns. The wooden church – this one not on the UNESCVO list – is being restored, and looks very impressive from the outside. There are few remaining frescoes inside, mostly linked to the iconostasis, and their expression is very faint – obviously, these have not been maintained like others in the area, ‘maintained’ perhaps being the term for touching up the frescoes to make them look brighter.

 

 

the wooden iconostasis

the wooden iconostasis

paintings are still visible, but not very bright, in the iconostasis

paintings are still visible, but not very bright, in the iconostasis

It is interesting to see this church, possibly one of the most authentic in its kind, even though the inside is definitely less spectacular than some of the others.

 

 

The other Maramures churches covered are in Ieud, Poienile Izei, Desesti and Budesti.

detail of the icons in the iconostasis

detail of the icons in the iconostasis

icons of the iconostasis, in close up

icons of the iconostasis, in close up

a few brighter coloured frescoes are also present

a few brighter coloured frescoes are also present

icons above the door to the nave

icons above the door to the nave

the wooden church in Poienile Izei

the wooden church in Poienile Izei

The church with the most vivid depiction of hell, and lots of other attractive frescoes

the door, painted on the outside

the door, painted on the outside

One of the oldest churches, probably from 1604. Every church has a depiction of hell, but here in Poienile Izei they have been specifically detailed with the images. Unfortunately, the care taker who let us in – after having made us wait for close to half an hour -, wanted to leave almost immediately again, and left us very little time to study the paintings. Hell scenes include graphic images of the punishments one can expect for sins: I found a source claiming that a liar is hanged by his tongue, a farmer who stole his neighbor’s land is plowed by two devils, a mother forced to swallow her aborted baby, and he who sleeps while the priest is preaching, is forced to lay on a burning bed and endure the devil’s violin. And lots of other unpleasantries. Great painting, though.

The other Maramures churches covered are Ieud, Botiza, Desesti and Budesti.

hell, in all its forms

hell, in all its forms

and more hell, certainly with lots of fire

and more hell, certainly with lots of fire

not sure what this depicts

not sure what this depicts

another fresco

another fresco

one of the church-wide panels

one of the church-wide panels

one of the sides of the church, once again fully covered

one of the sides of the church, once again fully covered

the church in Ieud, Maramures

the church in Ieud, Maramures

Perhaps the nicest wooden church in Maramures, with the most vivid frescoes

As in so many villages, there is an upper church and a lower church in Ieud. The UNESCO-listed one is the upper church, extensively decorated with frescoes. Dates are contested, but likely to be 17th Century, one of the earlier ones, as there had been a church here for much longer.

spire of the church

spire of the church

interior of the church

interior of the church

the round ceiling, fully covered with frescoes

the round ceiling, fully covered with frescoes

picture is not sharp, but I liked the subject matter, carriage and dotted horse

picture is not sharp, but I liked the subject matter, carriage and dotted horse

another long panel, along one of the walls

another long panel, along one of the walls

the door to the nave

the door to the nave

and another door

and another door

there is always a little devil, somewhere

there is always a little devil, somewhere

and another one

and another one

The church in Ieud is perhaps the most vividly decorated of all the churches we have seen – or perhaps this is just the perception, as it was also the first one we visited. Frescoes everywhere, walls and ceilings, not a single space left empty, and quite varied in colour setting. Impressive if you see this for the first time, even after so many weeks Romania, and so many weeks orthodox churches and painted monasteries.

The other Maramures churches covered are Poienile Izei, Botiza, Desesti and Budesti.

one of the frescoes in the first chamber of the church

one of the frescoes in the first chamber of the church

another one of the frescoes in the front

another one of the frescoes in the front

detail of one of the frescoes

detail of one of the frescoes

wooden church spire of Sarbi in Maramures

wooden church spire of Sarbi in Maramures

Another unique Romanian feature are the steep, wooden churches of Maramures, beautifully decorated inside with frescoes

There are around a hundred wooden churches in Maramures, of which eight are on the UNESCO World Heritage List. We didn’t visit all of them, not only because there is a limit to how many wooden churches one can visit, but also because visiting the churches isn’t as easy as it sounds. For starters, they are closed. Some have a piece of paper with a telephone number, to reach the caretaker, who may, or may not decide to turn up after a call. Others have no indication of where to obtain the key, whatsoever; but asking around often generates enough clues as to on which door to knock, or to which door to call if the yard is being protected by a mean-looking and frantically barking dog. And in most cases, somebody turns up eventually; and waiting is often worthwhile, the reward being a look inside the churches.

the church of Harcicesti

the church of Harcicesti

the spire of the Sat Sugatag church

the spire of the Sat Sugatag church

the key keeper opening the Sat Sugatag church

the key keeper opening the Sat Sugatag church

inside the Sat Sugatag church, few frescoes, but many standrads, still in use for processions

inside the Sat Sugatag church, few frescoes, but many standrads, still in use for processions

the wooden construction in Harnicesti

the wooden construction in Harnicesti

 

Many of the churches have been brilliantly decorated, as befits orthodox churches. Although along the benches some of the frescoes have been eroded, by people sitting against them, the Biblical scenes on the walls and the ceilings – no different subject-matter than in Bucovina, of course – are often very well executed, in a naïve style, and still quite bright.

 

impressive wall fresco in the Budesti church

impressive wall fresco in the Budesti church

another fresco, high up in the Desesti church

another fresco, high up in the Desesti church

one of my favourites, part of the hell scene in the Poienile Izei church

one of my favourites, part of the hell scene in the Poienile Izei church

Last Supper, fresco in the Desesti church

Last Supper, fresco in the Desesti church

Washing the Apostles' Feet, also Desesti church

Washing the Apostles’ Feet, also Desesti church

the church in Ieud, Maramures

Ieud

the wooden church in Poienile Izei

Poienile Izei

the church in Bozita

Bozita

the Budesti church in Maramures

Budesti

the Desesti wooden church in Maramures

Desesti

 

 

The churches we entered were those  in Ieud, Poienile Izei, Desesti and Budesti, as well as the less expressive, but perhaps more authentic church of Botiza (by following the links you’ll find some additional photos).

 

 

 

a simple metal cross outside the Desesti church

a simple metal cross outside the Desesti church

metal crosses in the Poienile Izei cemetery

metal crosses in the Poienile Izei cemetery

simple wooden crosses in the Sat Sugatag churchyard

simple wooden crosses in the Sat Sugatag churchyard

The churches come with cemeteries, as most churches do. Remarkable is the variety of material used for the crosses, perhaps also a reflection of economic hardship. There are simple wooden crosses, elaborately carved wooden crosses, a few stone crosses, but mostly, people have opted for metal crosses, sometimes decorated with a small sculpture, or a semi-arc, at other times no more than a simple metal cross.

blue crosses with poems and images in the Merry Cemetery in Sapanta

blue crosses with poems and images in the Merry Cemetery in Sapanta

cross of a drinker, the Romanian text refers to tuica

cross of a drinker, the Romanian text refers to tuica

another, fairly new grave

another, fairly new grave, under the tree and behind the flowers

an older one, a man with his animals

an older one, a man with his animals

some of the Jewish tombstones

some of the Jewish tombstones

That it doesn’t need to be this way, is demonstrated  in the village of Sapanta, close to the Ukrainian border. Few cemeteries will be more colourful than the Cimitirul Vesel here, which translate into Merry Cemetery. Villagers have created a tradition of mildly mocking the deceased, through poems or images added to the crosses, which themselves are bright blue. The poems are in Romanian, of course, but the images are quite expressive: a house wife, a soldier, a farmer, a musician. A car accident, showing how somebody got to his end. It is the first cemetery where I had to pay an entrance fee, including extra for my camera, it is also the first cemetery where I saw lines of tourist stalls outside, selling socks and pots and tablecloths. Obviously, this is more than a cemetery alone, it is a major tourist attraction. Which cannot be said of the Jewish cemetery, a few hundred meters back. It is fenced, and the gate is closed, I suppose to avoid desecration. The cemetery is in memory to the thousand Jews deported in the war, and a stark reminder of the anti-Semitism that dominated this part of Romania. Not every cemetery is merry.

a Dutch-speaking Romanian on top of his hay cart

a Dutch-speaking Romanian on top of his hay cart

a village woman

a village woman

It is our last day in Romania, tomorrow we start the long drive home, to The Netherlands. As I get out of the car, to take some pictures of the hay stacks that form another characteristic of this country, a horse-drawn cart appears, also full of hay. The guy on top asks me, in good Dutch, if I am from The Netherlands. It turns out that he has been working there for a couple of years, and now he is back. On top of the hay, on top of his cart. Showing quite a bit of flexibility. Isn’t it great, this free traffic of people among European countries?

 

Next: the last entry, looking back, a reflection on Romania

these are bee hives, a real honey machine

these are bee hives, a real honey machine

apples galore, at this time of the year

apples galore, at this time of the year

inside a Maramures yard

inside a Maramures yard

Perhaps one of the most beautiful regions of Romania, Maramures has lots of attractions, from churches and cemeteries to wooden villages

To get from Bucovina to Maramures takes about half a day. The first few hours, all the way to the Mestacanis Pass, we drive along the main road, the usual two-to-four lane affair. Theoretically to make great progress, but the reality is, as usual, quite different. Main roads go right through villages, where maximum speed is 50 km/hour, and quite reasonably so, given the chicken and the children who randomly run onto the road. Outside the villages, progress is hampered by railway crossings, which do require serious slowing down, by horse drawn carts – ever better visible because of fluorescent reflecting vests, either on the man, or hung onto the back of the cart – and by a whole string of other more or less unexpected dangers and annoyances (there are bicycles, there are huge trucks that worm their way up the winding road to the pass, there is cattle on the motorway, and worst of all, there are other cars). Driving gets rather tiring.

squash in front of the barn

squash in front of the barn

multiple road users, slowing down progress

multiple road users, slowing down progress

Just past the pass, we turn off onto a much smaller road. No more traffic. Very few villages. Certainly no more railway crossings. But progress is even slower now, thanks to the huge potholes in the road. You never win, on the road in Romania.

But soon we find something else to marvel. Totally unprepared, we arrive in Ciocanesti village, where houses have been decorated with geometrical and floral patterns. The story goes that long ago a peasant woman who got married wanted to redecorate her house. She found a local artist, who carved patterns in the soft plaster of the house, which the woman subsequently painted. The story doesn’t say how this became a tradition, but fact is that all the houses now have been painted in this way, as decreed by local law.

painted house in Ciocanesti

painted house in Ciocanesti

not all the houses are well-maintained

not all the houses are well-maintained

view over the Rodna Mountains

view over the Rodna Mountains

at 1500 m or os the tops of the trees are white, even though it is only end September

at 1500 m or os the tops of the trees are white, even though it is only end September

hay stacks, perhaps one of the most characteristic views in Maramures

hay stacks, perhaps one of the most characteristic views in Maramures

along the road, plenty people still get their water from simple wells

along the road, plenty people still get their water from simple wells

After yet another pass, the Prisslop Pass at just over 1400 meters – where we decide to leave the menacingly-named Complex Turistic the Complex Turistic, without checking it out -, we finally enter Maramures proper. Another one of these regions that have had various different rulers, having been annexed by the Transylvanian principality is the 16th Century, and the Austrian Empire afterwards, occasionally disturbed by Tartar invasions in the 18th Century, until most of it joined Romania in 1918, together with Transylvania (‘most of it’, because the northern-most part, like part of Bucovina, went to Ukraine).

onions and garlic drying in the sune

onions and garlic drying in the sune

local woman, determined

local woman, determined

Maramures’ fame comes from its wooden churches, according to most historical sources built to celebrate the final retreat of the Tartars after 1717 – how they knew it was final, at the time, beats me, but never mind. In fact, a few of the churches are thought to date back to the 17th Century, and in any case I would think that, being made of wood, it is likely that a certain amount of restoration and rebuilding has been undertaken. Whatever the case, these are outstanding churches, beautifully constructed from wood only, with steep spires reaching for the sky – in the belief, apparently, that the taller the spires, the easier it was to get your prayers where you wanted them. More about these churches later.

barn window

barn window

the smaller of two doors, in the gate

the smaller of two doors, in the gate

elaborate wooden gate

elaborate wooden gate

many houses and barns are made of wood

many houses and barns are made of wood

Wood comes back in people’s houses, too, where doors and windows have been decorated, and especially in the wooden gates. These are exquisitely carved structures, not even that old – I noted gates from 1985, numbers carved, and 1989 -, but very impressive. Many have two doors, a large one for the cart, and a smaller one, for people, and often there is a bench, too. Where in the old days the gates were an integral part of the wooden complex, they now have become more and more a status symbol, part of a concrete wall which surrounds a modern house, but nevertheless, this allows the tradition to continue.

pot tree

pot tree

another pot tree, only the top

another pot tree, only the top

Another tradition is the pot tree. A tree in the garden has been decorated with colourful pots and pans, according to one source to indicate that there is a girl available for marriage in the house – whether the girl likes to be advertised this way, the story doesn’t say, neither if a bigger tree with more pots  generates more interest. But colourful it is.

 

Next: the wooden churches for which Maramures is rightfully famous

some people have no tree, perhaps?

some people have no tree, perhaps?

Adam and Eve in Paradise

Adam and Eve in Paradise

approach of the Sucevita Monastery in Bucovina

approach of the Sucevita Monastery in Bucovina

The Sucevita Monastery, the fourth and biggest of the big four in Bucovina, is slightly younger, and has somewhat more varied frescos, many beautifully executed

door to the monastery, even here with a fresco

door to the monastery, even here with a fresco

Sucevita is the largest of the top four monasteries in Bucovina. The large compound is still walled, and several monastic buildings are present inside, protected by no less than four defense towers. The church and monastery was built in 1585, later than the other three Monasteries Humor, Voronet and Moldovita.

The church is relatively big, the tower relatively tall. The best fresco on the outside is the Stairway of Virtues, with swarms of angels guiding the faithful up – but not everybody makes it to the top. On the same wall is also a cartoon of Adam and Eve, very puritan with bigger-than-life fig leaves.

the monastic church, in its full glory

the monastic church, in its full glory

the Stairway of Virtue external fresco

the Stairway of Virtue external fresco

the angels hovering above the stairway

the angels hovering above the stairway

What is interesting is that in the choice of subject-matter, and in the execution of the frescos, the painters seem to have had more liberty than in the earlier churches – which were only 50-60 years earlier, not that long before the painting of Sucevita. Yet, this has led to much more varied, as well as brighter, images.

porch of the church

porch of the church

frescoes on the outside of the sanctuary

frescoes on the outside of the sanctuary

detail

detail

beautiful, colourful fresco

beautiful, colourful fresco

The other three monasteries included here are Humor, Voronet and Moldovita. See also ‘the painted monasteries of Bucovina‘.

The Ottoman Turks, judged by the turbans

The Ottoman Turks, judged by the turbans

and another well-known figure

and another well-known figure

 

 

 

 

 

 

 

 

another unusual subject-matter, under the porch

another unusual subject-matter, under the porch

door in the entrance gate to the Moldovita Monastery

door in the entrance gate to the Moldovita Monastery

The Moldovita Monastery is the third of the big four, and contains my favourite, the Siege of Constantinople fresco

This Monastery was established in 1532, also by Petru Raresh, son of Stefan the Great, apparently after a landslide has destroyed an earlier building.

defense tower over the entrance to the Moldovita Monastery

defense tower over the entrance to the Moldovita Monastery

The most evocative painting here is the Siege of Constantinople, very lively with canons and Turkish horsemen marching up to the walled city. There is also something called Jesse’s Tree, on another wall, the significance of which I am not sure: essentially, a lot of people, seemingly randomly positioned.

fresco called Jesse's Tree

fresco called Jesse’s Tree

Like the other churches, there is a wooden overhang protecting part of the outside frescos, and like Voronet, this church also has a tower. The compound is walled, and one of the defense towers still stands over the entrance.

The other monasteries included are Humor, Voronet and Sucevita. See also ‘the painted monasteries of Bucovina’.

church of the Moldovita Monastery

church of the Moldovita Monastery

outside frescoes

outside frescoes

detail of the Siege of Constantinople, with a focus on the city itself

detail of the Siege of Constantinople, with a focus on the city itself

family fathers, perhaps? adorned with later graffiti

family fathers, perhaps? adorned with later graffiti

another frequently returning subject matter

another frequently returning subject matter

beautifully painted white horse

beautifully painted white horse